#3D COAT TIMELAPSE HOW TO#
By Christoph Werner.īaking Ptex textures on to a mesh with existing UVs: how to bake textures after using the Ptex UV/Texturing method, to a mesh with an existing UV map. Actually it is not possible to import alpha informations directly into 3D Coat but show a short workaround to do it anyway.Īdditionally explain how to paint flexible alpha information and how the “Linked layer” function helps here. By Psionic Games.Īlpha import: How to import an texture to be used as layer transparency information (Alpha channel) inside 3DCoat. Normal Map Texture details: Quick tutorial video showing how to add some fine details to the normal map of a face or head textured model (or anything else for that matter). Texture a head using reference images: By Psionic Games. Then bake an new, updated displacement map that can be added back into the Paint Room.
Paint Mesh to Sculpt Mesh: This video demonstrates the steps needed to send a copy of a Paint Mesh to the Sculpt Workspace (where it becomes a Sculpt Mesh that can be voxelized or have dynamic tessellation applied to it) and bake small-scale sculpting edits back to the Paint Mesh via a new normal map.įrom Paint Room to Sculpt and back again: This video demonstrates a method one can use to get your model….fully displaced (with any work you may have already done using image-based sculpting)…from the Paint Room to the Voxel Room, to make some sculpting edits there. Either as Image Planes in the viewport or usage of the Image Picker as a static reference image within the UI. Using Reference Images: This video demonstrates the usage of reference images. Image Picker: This video demonstrates the Image Picker in 3DCoat, which allows the user to sample color information from an image, as well as serve as a dockable reference image. It is not intended to be a tutorial on texturing painting techniques. Texture Painting: This is a demonstration of some of the more common Paint tools one might use on a similar project.
You can create all new materials from scratch but it comes with a bunch of pre-made ones and they have a ton of functions you can adjust to change the way it looks. PBR Smart Materials: This is just a quick video I made showing some of 3DCoat's new and awesome PBR materials. The Gun: Complede workflow of a Sci-Fi Gun,īased on the M3 Predator from Mass Effect.
#3D COAT TIMELAPSE SOFTWARE#
By Psionic Games.ģDCoat - Great Sculpting software for 2D artists looking to transition into 3D: Overview of a great sculpting software and one of my favorite programs overall. Wall Panel - Normal Map & Texture: Quick tutorial showing how to create a simple Sci-Fi wall panel texture and normal map. In this part you will see how I create a concept artwork in photoshop. This is the first part of the small tutorial series.
#3D COAT TIMELAPSE SERIES#
How to create a 3D model for video games - Topic: Fantasy weapon: In this tutorial series you will learn how to create a 3D model for video games. The goal is to get you familiar with the basics and off to a running start.
Here we talk about some of the universal basics. Common Workflows: This video series covers some typical workflows in 3DCoat, and how they involved the different workspaces/toolsets in the application.ģDCoat General Overview: This series is by no means a compendium of all things 3DCoat, the aim is to show you the most useful features as quickly as possible, which is what I would have wanted when learning 3DCoat.
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